As a contributor to 40 Below: Edmonton's Winter Anthology, I am of course thrilled with the advent of winter and the build-up of snow as evidence of that advent.
As the owner of an extensive concrete driveway and patio, as well as a fifty-foot frontage of "city" sidewalk that local by-laws say I am responsible to keep clear, and as neighbour to a pair of eighty-something-year-olds whose walks are linked to mine, and for whom I provide an unofficial clearing service (if I do not, they go out and do it themselves, "for the fresh air and exercise"--recent hip surgery and incipient heart condition under treatment notwithstanding), I am less thrilled with the situation.
My back is stiff, and my mood a bit raw from shovelling and reshovelling and reshovelling and sweeping before eventually ceding the issue and using a small electric snow-thrower. All this to clear that area more times than there have been grey, low-pressure system days of consecutive snowfall. But I am trying not to be a sorehead.
After all, today is the day of redemption. A brilliant, clear sky. A brilliant full-circle ice halo, with sun dogs on the south-eastern horizon just after sunup. Air crisp all the way to the bottom of the lungs. The view from my office window a study in high contrast. This is the kind of winter to celebrate.
Sun dogs (technically known as parhelia, a Greek word meaning "beside the sun") are, for the uninitiated (i.e. from places that never get cold enough for them and for ice halos), bright reflections from the sun, at 22 degrees left and or right from the sun itself. They are created by the prismatic effect of ice crystals in the air. And they can be spectacular, when they are not blinding a person with their brilliance, and causing automobile accidents either from the blinding, or from the distraction that often results from their appearance.
This is a partial ice halo with sun dogs, photographed in South Dakota by Joe Unterbrunner
But if we are going to celebrate the cold beauty, better to do it today. The forecast is for 10-30 cm. or so of new snow in the next two days.
Thursday, 21 November 2013
Sunday, 17 November 2013
Moon re-Calling
So today was the kick-off at Block 1912 for 40 Below: Edmonton's Winter Anthology. Jason Lee Norman, perceptive editor that he is, chose two of my submissions--a poem called "Cold Comforts," and a prose piece, "Moon Calling," that began life way up this blog site, but had to be cut out once selected.
It was interesting meeting several of the other contributors and hearing them read. I did not read at the venue, but was on CKUA ARTBEAT this afternoon, reading both pieces.
Richard Van Camp, when he was Writer-in-Residence at the U. of Alberta Department of English and Film Studies told me some two years ago that I seemed to write a lot about the cold, and should try to get some of it published, so there it is. Richard celebrates the full moon every month, calling out "Happy Full Moon" to anyone in earshot (and given Richard's skill at projecting, that can be quite a distance).
It turns out I also write a fair bit about the moon. And snap a lot of pictures of it with my cell phone camera.
Two months ago, Anna Marie Sewell and I took a group from the Edmonton Poetry Festival through the North Saskatchewan River valley at Louise McKinney Park at the full moon, to see what the experience might inspire. We arranged to have everybody out on the Capilano Footbridge just as the moon came up right in the heart of the river, downstream. At first is was just a hint of something going on behind a screen of evergreen trees. Then a faintly orange crescent began to assert itself, and after fifteen or twenty silent minutes, there is was, shining full, and changing to ever brighter silver as it got higher above the horizon.
Several of the seventeen participants mentioned that it was the first time they had just stood and watched the moon rise, and were amazed because they swore they could actually see it move--and I agree: with patience and rapt attention to its relationship with the foreground, the moon was in slow, deliberate, practiced motion.
Eventually we made our way to a building with some lights on its outside stairs, and people began to write up their impressions. Four later submitted drafts to the Edmonton Poetry Festival Facebook site.
My contribution was this:
It was interesting meeting several of the other contributors and hearing them read. I did not read at the venue, but was on CKUA ARTBEAT this afternoon, reading both pieces.
Richard Van Camp, when he was Writer-in-Residence at the U. of Alberta Department of English and Film Studies told me some two years ago that I seemed to write a lot about the cold, and should try to get some of it published, so there it is. Richard celebrates the full moon every month, calling out "Happy Full Moon" to anyone in earshot (and given Richard's skill at projecting, that can be quite a distance).
It turns out I also write a fair bit about the moon. And snap a lot of pictures of it with my cell phone camera.
Two months ago, Anna Marie Sewell and I took a group from the Edmonton Poetry Festival through the North Saskatchewan River valley at Louise McKinney Park at the full moon, to see what the experience might inspire. We arranged to have everybody out on the Capilano Footbridge just as the moon came up right in the heart of the river, downstream. At first is was just a hint of something going on behind a screen of evergreen trees. Then a faintly orange crescent began to assert itself, and after fifteen or twenty silent minutes, there is was, shining full, and changing to ever brighter silver as it got higher above the horizon.
Several of the seventeen participants mentioned that it was the first time they had just stood and watched the moon rise, and were amazed because they swore they could actually see it move--and I agree: with patience and rapt attention to its relationship with the foreground, the moon was in slow, deliberate, practiced motion.
Eventually we made our way to a building with some lights on its outside stairs, and people began to write up their impressions. Four later submitted drafts to the Edmonton Poetry Festival Facebook site.
My contribution was this:
Harvest Moon we call this glow, this ripened
moon of gathering that guides our steps,
encourages our taking in,
through eye, ear, nose, tongue, and skin;
yet tonight even as she comes to
full bright perfection, joins us, together
points our ways along
moon-shadowed paths,
because the moon is made for changing,
ever cycling, waxing, waning,
eternal analogue reminder of
continuity in our
on-again,
off-again
digital
times,
she styles
herself as well
a Moon of Letting Go,
shifts, begins to perfect
her darker, shaded other faces.
Here we gather, give and take
illumination,
collect ourselves, reflect upon,
then moon and we
continue on.
But I think the Perkins who really got the moon was our son David, when he was two-and-a-bit. I used to take him for a ride in his stroller winter evenings after supper, while Eva went to work, four evenings a week at the ESL program at Alberta Vocational College (now Norquest). He would sit all bundled in his snowsuit, holding a flashlight. One night, as we went north towards a strip mall where he could look at the toys on display at a large drugstore, and take his time explaining them to me and discussing their merits as potential Christmas presents, he did not need the flashlight. There was a full moon reflecting off new powder snow--not deep, just enough to freshen the surface to bright sparkling white. He looked up to his right and said. "Daddy. The moon."
"Yes," I agreed. "The moon. A full moon."
"But Daddy, the moon."
"Yes, the moon."
"But Daddy. The moon. It's following us."
And he was right. There it was, coming with us to the store.
And there it was again, later, to our left, following us home.
And if I and we pay attention, it follows us faithfully, every month we let it.
And every month we do not.
Wednesday, 18 September 2013
It is so useful, dammit
It’s not that I haven’t had a thought or found anything
provocative since June 26. It’s that for late June and all of July, I was
making up new eClass websites and notes for my Fall Term classes, so I could go on
holiday at the end of July but be ready to go back into the classroom when I got home.
Then it was that I was spending a lot of time in
the sun on the beach at Nice, thinking about going into the water. And a lot of
up to my chin in the Med., thinking about getting out to enjoy more of the sun.
And a lot of time thinking about which restaurant we would go to for supper, to
enjoy more piles of fresh seafood.
Then I was thinking about how relaxed I felt after coming home.
Then I was thinking about plans for a Sept. 19 poetry workshop I was co-hosting with Anna Marie Sewell, for the Edmonton Poetry Festival.
Then I was thinking about how relaxed I felt after coming home.
Then I was thinking about plans for a Sept. 19 poetry workshop I was co-hosting with Anna Marie Sewell, for the Edmonton Poetry Festival.
Then I was back into Fall classes, thinking through the
dullness of a cold that was draining my energy for much but teaching.
I was, with many of my colleagues, also thinking about
provincial government policies and practices, backed by University blogs and state-of-the campus missives, that
seem to indicate there is some concern that showing up to do our job is maybe
wasting our students’ time, as we in the Faculty of Arts are not “training” them
for jobs.
Pronouncements from the Ministry of Enterprise and Advanced
Education the past few months mention the plan to develop more jobs through a
more entrepreneurial spirit. Then they cut the budgets and shrink the programs of the universities and colleges where entrepreneurial (as opposed to MBA managerial) skills and vision can get a start.
Then the tech schools brag they are being spared because they are training people for jobs. But without imagination developed through non-job-training types of education (i.e. not just apprenticeships and other training to be employees), without imagination to see opportunity and to have the confidence and thought processes to see it through, what jobs are they training people for. Not the new ones that have not been created. Just the existing ones—the ones that disappear with the end of every resource boom and the end of every construction project.
Then the tech schools brag they are being spared because they are training people for jobs. But without imagination developed through non-job-training types of education (i.e. not just apprenticeships and other training to be employees), without imagination to see opportunity and to have the confidence and thought processes to see it through, what jobs are they training people for. Not the new ones that have not been created. Just the existing ones—the ones that disappear with the end of every resource boom and the end of every construction project.
Wednesday, 26 June 2013
Scouting not for Boys
Scouting For Boys,
by Lord Baden-Powell himself. It was one of those good gift/bad gift choices.
Good for a twelve-year-old boy just entering the age of independence, written
to teach him all sorts of useless but time-consuming and distracting life
skills great for a war fought long ago in South Africa, and to create a narrative to
ease him out of childhood on the promise of competence in adventurous outdoor
situations of all sorts. A book to stimulate the imagination.
Bad because it was, after all, a book for BOYS. The
narrative spoke of courtly, gentlemanly standards of a time long gone—if it had
ever been. And it didn’t say anything useful about the kinds of stimulation
going on as puberty set in. Oh, there were some deeply coded warnings about
being clean in thought, word, and deed, and resisting temptations to self-abuse
or self-defilement, or some such activity. Nothing about his testicles,
wrestling like rambunctious puppies in his nut sac. Nothing about the dazzling
procession of erections that kept getting twisted up in his shorts. In Math
class. In Science class. In Music class. In Literature class. In Sunday School.
On the bus. On the street. On his paper route. While thinking about red-headed
Nancy. While not thinking about red-headed Nancy. No help from Lord BP himself
on that aspect of becoming fit for adulthood.
And no way to reconcile all that advice on courtesy and
clean thinking and respect for women when all his hormones were urging “Go for
it, Cowboy.” Whatever “it” might be. That was the worst part. Not having much
of a clue what “it” was, other than sniggering acknowledgement it was something
only bad girls did with bad boys. Older boys. Something older boys only smirked
about. Something to do with that live animal in his pants. He knew that much
because once, when some embarrassing story about teen pregnancies came up on
the tv, his dad—the guy who had given him Scouting
For Boys—had said, “Let that be a lesson to you. Keep it in your pants.”
By that time, it wasn’t so much the contents of his own
pants that concerned him. Not so exclusively. It was the mysterious contents of red-headed Nancy’s
pants. But Nancy was a good girl. At least, none of the bigger, older boys had
told any sniggering stories about her—not in his hearing. Not like they told
about Rachel. Rachel who missed a lot of school. Rachel who, it was
whispered—especially by the good girls-- missed a lot of school to go riding in
cars with older boys chasing something called “tail” (which seemed to refer to something way different from what it referred to in Scouting for Boys). There was something not
quite right here. Rachel who was so open and friendly and funny? Rachel who got
pretty good marks in school as easily as she seemed to have acquired a pretty
bad reputation outside of it? How could the two things be possible in one
person? Nothing about that in Scouting
For Boys.
It took rather a long time before he figured out Scouting For Boys had been written to
keep the red-headed Nancys of the world safe from ignorantly stimulated
adolescent thoughts like his had been. And the Rachels safe from the pollution
of unclean words about unproven deeds. And by then, the two of them lived in a different
city from him--the surest socio-sexual counter-stimulant of all.
No compass bearing, star-reading, track-reading boyhood skills
could close that gap.
Sunday, 16 June 2013
Two for Father's Day:
Fatherhood: No wonder it's such a complicated concept.
My father died forgetful, but unforgettable, for so many actions and so many traits.
My father died forgetful, but unforgettable, for so many actions and so many traits.
Grand father and son
In photos, desert-uniformed
military trimmed
nineteen and
twenty year olds
lounge jauntily,
pleasurably on or under
armed wings of now
obsolete
killing machines in
North Africa,
relieving boredom or
relaxing between or
before
risking, meeting or
dealing
death sixty-six years
ago; men
young as this other
nineteen-year-old in
Death-Metal T-shirt
peacefully scanning,
enjoying
images of himself
reflected in
one subject of many
pictures:
Family resemblance not
completely
masked by much longer
hair, and
flouting little
beard
Between these two
young men is
me, the only aged face
in this unsnapped shot,
shared features
wrinkled over by
gathering symptoms of
late and
lengthening middle
age---
Hair thinning beyond
military standards
beard vainly removed
because
a shade too close to Santa;
thankful the pictured
youngster
survived to generate
these now
bi-focalled eyes and
gift this
vision, living history
traced in a cocky
bullet-proof late-teen
grin shared across
miles and miles and
years and years.
#####################
History
lessons
Sunday
night in September
at
Greenwoods’ listening to the poet read
a poem
about reading a poem
at
Greenwoods’ four years ago.
Shelves of
War Books
behind. My
dad is maybe mentioned
in one or
two of the histories. He was in
several sixty
years after D-Day.
I’ve never
read them or searched out
those
references. Maybe they tell stories
I’ve heard
a dozen times or more, live
in the
living room or at the family table. Maybe
they’re
stories a son should never hear
about his
father. Maybe they’re so
slight they
will mimic the life
he seemed
to think he had lived ever since,
trying to
regain the status he once risked --
asking a
kid on the C-train who has no idea
what he’s
talking about, coming home
from a
Flames game in Calgary,
“Say, why
don’t you stand up
and give an
old Spitfire pilot a seat?”
Telling us
in moments of our own relative
or
perceived failure, “You’d never
make it as
a fighter pilot,”
as if we
should want to try.
As if that
were the only test of a man’s worth.
As if he
could have celebrated with us if we did
make it in
the world that made him better
than we
could ever be.
We all had
to survive that war,
many times
over,
his kids
and him.
June 2013 draft
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